Valentinian Shaw doesn’t want to settle down — but when Lady Charlotte
Engles begs to end their arranged betrothal to marry another, he feels
duty bound to protect his betrothed from her dangerous new suitor. What
happens when he starts to fall in love? $0.99$4.99 AmazonBarnes & NobleApple BooksGoogleKobo
see what this year brings! And please, let's be kinder to each other.
This could be a year of change in the big, bad world outside our
windows. Several threads seem to be coming to a head. I've kept this
newsletter politics free, and I'll continue to do so, but outside, it's
getting interesting - or scary.
So lets read lots of books instead! Do what we have to do, and then go
back to our favourite places. Mine, as you know, is the 18th century.
And I can't see that changing.
The SSL This
year sees the release of a new series from Kensington. It's going to be
called the Society for Single Ladies, and it will feature a different
couple in each book. But the ladies are the overlooked, the widows who
might not want to remarry, the spinsters, the governesses.
At last, they've banded together!
Their leader is a figure you've met before, briefly, in The Shaws.
Angela Childers is the richest woman in Britain, the owner of a major
bank inherited from her father and the granddaughter of a duchess. She
will never marry, or so she says. And she's based on a real-life figure.
I find so much inspiration in real life examples, I can't tell you.
Angela comes upon all kinds of problems in her working life, and her
stalwart band of helpers is determined to help her.
There isn't a cover yet to show you, but there is a completed book in
for editing and such, and I've signed a three book contract, so if it's a
success, there will be more.
The release of the first book is slated for March. More later, when I have details.
The Shaws The
Shaws came to an end with Boundless. While I loved writing them, there
just aren't any more. One day I'd like to write the stories of the
Emperors that have escaped me. Maybe they'll turn up in the SSL series!
I've been writing about this family for so long I feel I know them all
personally. And because many of them have characteristics based on real
life people, perhaps I did!
So we're at the end of the year. I wish we could interact in some way
because here I am telling you all about what I do at this time of year,
and I love to know what you get up to.
My tree isn't up yet (above is a picture of last year's tree), but the
room is full of boxes, so tomorrow I'll get busy. In more ways than one,
because Tuesday this week is a big day for me. More about that below. I
don't want to wham and pow you with all that, because you probably
know. But I can share more news with you, about what's next and what I'm
I love this time of year, when it gets dark early. I know some people
hate it, but winter is an awesome season. And then there's the movies -
Meet Me In St. Louis is my favourite Christmas film, and I love an old
Bette Davis movie, The Man Who Came To Dinner.
All that to look forward to!
And today is when Boundless comes out. The title comes from Romeo and
Juliet, "My bounty is as boundless as the sea, my love as deep, the
more I give to thee the more I have, for both are infinite."
Isn't that lovely? So when I came to write Livia's story and reveal the
secret she's been hiding since the start of the Emperors of London, I
had to give her a love that would surpass all her difficulties. It's an
explosive secret that could destroy Livia and by association, her
family. And it's tearing her apart.
But there's sadness as well, because this is the last of the Emperors
(for now) even though there are members whose stories haven't yet been
told. One day...
Next? Kensington have accepted a brand new series with new characters.
More later, but the first book is in edits. It's set in the
mid-eighteenth century (of course!) and the first book will be out in
the spring. I promise to tell you more in the next newsletter, when
everything is more settled.
And next summer, I have a series coming out from Tule Publishing, a
contemporary (don't faint!) trilogy. I used to write a lot more of
those, and I'd love to do more.
month sees the release of Boundless. Recently the previous book in The
Shaws, Dauntless, hit the number one in Amazon Regency, and I got the
orange flag that says it's a best seller. I'm so happy about that. Good
sales means an author can continue doing what she loves best. So thank
you for supporting me and buying the books.
Shaws are one of Britain’s most influential, dynamic families, but one
Shaw prefers to keep a low profile. Unfortunately, the limelight can
shine behind-the-scenes . . .
the unlikely wallflower of the extraordinary Shaw family. A woman who
will never marry, but not for the reasons you might think . . .
on the streets of London, Lady Livia Shaw is relieved when a gentleman
comes to her aid—and startled to discover her rescuer is Adrian, the
Duke of Preston, a notorious rogue. But their association—and instant
attraction—does not end there, much to the Shaws’ distress. For Livia
was robbed of a memento—one that is both her most precious possession
and a reminder of a shameful secret. It is a secret she knows will cause
her to lose Adrian forever, yet he is determined to track down the
thief . . .
never wanted to be anyone’s hero, but now he’s finding the prospect as
pleasing as he does Livia’s company, and her beauty. Certainly he wants
her in his bed, but what surprises him is how much she comes to mean to
him. Which is why the revelation of her scandalous past is nearly his
undoing. Arrogantly, he had assumed only he had the power to shock. But
it is too late to turn back, and now Adrian may have to risk everything
for Livia, even his heart . . .
slumped against the squabs of the hackney cab as it set off from his
house in King Street. Correction––Ophelia’s King Street house. He’d
already had the deeds put in her name, but she’d generously given him
another day to quite the premises.
the shadows of the vehicle, he grinned. A house was a small price to
pay to rid himself of the exquisite, grasping, tediously mundane person
Ophelia d’Arblay had turned out to be. Every man in London wanted
Desiree for his mistress. Well, she was back on the market and they were
all welcome to her.
a groan, he stretched his limbs. After a tough all-night session in the
House of Lords, he’d repaired here to find Ophelia entertaining one of
the few peers not in Parliament that evening. Truly, he should have
guessed she was seeing someone on the sly. But what had surprised him
the most was his inability to care. Her subsequent spectacular tantrum
merely bored him. It did not move him. She had broken his one and only
rule, and she must suffer the consequences.
Exhausted, he looked forward to falling into his own bed and leaving the day behind.
movement ahead caught his attention. A woman stood at the edge of the
road, her gown a flash of bright blue, swirling around while children
scurried like rats around her. One skinny youth had his mouth open,
laughing, catching her attention while the other––Adrian spied trouble.
And where trouble lurked, so did he.
Grabbing his cane, he rapped the roof of the carriage. “Stop! Stop now!”
the driver had managed to haul the nag to a halt, Adrian had opened the
door and leaped into the street. Turning only to toss a shilling to the
cabbie, who caught it deftly, pocketed it and gave his horse the office
to continue in one smooth move, Adrian faced the trouble.
blue silk belonged to a lady, although the gown had become sadly
smeared with mud and torn in her efforts to escape her tormentors. Her
face was obscured by the broad brim of her bergère hat, its pink ribbons
askew and the jaunty bow on top crushed. For all that, this was a lady.
The gown was good, the skirts too wide for this part of London, and her
linen fine, the nearly sheer veil over her tantalizing bosom hinting at
the pink flesh beneath. Despite his recent disappointment, Adrian’s
this he absorbed as he headed at speed for the unfortunate woman beset
by street urchins. He kept his attention on her while he struck out with
his cane, lashing out right and left, ignoring the ensuing yelps and
woman whirled right into his arms, and Adrian found himself with an
armful of warmth and silk. That made wielding his cane trickier. Rolling
the woman to the left, he looped his arm around her waist and used his
right hand to advantage. Battle heated his veins, sending a fire
coursing around his body and rousing him from his ennui. He had not felt
this alive for a long time. Although he was only one man against six
youths who had learned to fight on the streets, he made a good account
of himself. The trouble was, they kept coming at him from different
directions. Catching one importunate boy a crack across his shoulders
appeared to deter them. All but one, who darted around the other side of
the female before shrieking. The one in front crashed into her and a
sickening crack rent the air before he tightened his hold on her and
dealt the boy a telling blow to the side of his head with what was left
of his cane. The responding yelp warmed his heart.
“Let me go!” she said. “You can’t fight like this.”
was right. Her voluminous skirts and the cloak around her shoulders
were hampering him. He snapped, “Don’t go out of my sight,” before
releasing her and settling in to the rhythm of the fight. Fully awake
now, all traces of tiredness gone, Adrian swung his cane, wielding it
more like a club than a delicate weapon. Sooner or later it would break,
and then he’d have to resort to his fists.
He looked forward to it.
on then, you cowards!” he yelled as one of the assailants ran off,
screaming. Crouching into a fighting stance, he stood ready, his cane
held before him, waiting for the next attack.
maiden stood where he’d told her to, the bright blue of her gown a flag
in this grimy London street. She leaned to one side. Had that crack
he’d heard a moment ago been one of her bones? And yet she didn’t move.
if someone had waved a gun, the boys turned tail and ran, scattering
into the alleys feeding the street, like the rats they were.
flicked his gaze over the woman, scanning her disheveled appearance.
Clearly she needed help. With the blood of war still thrumming through
his veins, he drew a deep breath, savoring the sheer joy of being here,
alive and healthy. Why would he not? His relentless pursuit of life all
led to that wonderful feeling, better than a case of wine, better than
the best French brandy. And for sure better than a night’s gambling.
than spending a night in his mistress’s bed? Perhaps. Not the one he
had just discarded, but this one…he might have found his new interest. A
well-dressed young woman in this part of London would hardly be the
kind he’d meet in the ballrooms of Mayfair.
got my purse,” she said then. Although her voice was soft, it still
trembled. She was more shaken than she cared to tell him.
“Did they take much?”
She shrugged a delicate shoulder. “A few guineas, an ivory comb, a fine linen handkerchief––no, not much.”
Aha. Any woman who considered that haul “not much” had recourse to more.
he offered his arm. “You are shaken, madam. May I offer you the
hospitality of my house?” At least, it was his house until the morning
when the new deeds came into effect. “You may tidy yourself up and
recover from your ordeal.”
From beneath the broken brim of her hat, she regarded him warily. “You speak like a gentleman.”
“And you sound like a lady.”
warning, she sagged, dipping forward, threatening to fall. Adrian
caught her, curving his arm around her waist at the front and tilting
her gently back to lean against his shoulder. “Can you walk?” he
murmured, his mouth so close to her ear that her curls tickled his skin.
She had blonde hair with a hint of red. He’d seen that shade before,
but for the life of him he couldn’t remember where.
She nodded, lowering her head to rest on his shoulder. If he had to, he’d carry her.
his relief, when he took a small, slow pace, she came with him.
Although her feet dragged, he detected no sign of a stumble, or anything
that would indicate she was hurt. If they took it at a snail’s pace,
they could manage the distance. “The house isn’t far, at the end of King
hackney had almost reached Covent Garden. King Street abutted it. Since
his mistress worked as an actress at Drury Lane, in fact was a star of
the stage there, she liked the proximity. No doubt she would continue to
“I should not,” she murmured.
Shock, he assumed. Tilting up her chin, anticipating the credit his good deed would accomplish, he gazed into her face.
Damn and blast it. He recognized her. He would not be making this woman his mistress, sadly.
But what was Lady Livia Shaw doing in this part of London, and on her own, too?
In honour of Black Friday, the price of the first Richard and Rose book, Yorkshire, has been reduced to 99 cents! The Amazon copy is here.
A passion they never expected…a mystery that could cost them everything.
Golightly is a country girl who thinks her life will continue on its
comfortable course, but a series of events changes that for good. On a
visit to the ancestral estate of Hareton Abbey, Richard Kerre, Lord
Strang, enters her life. A leader of society, a man known for
extravagance in dress and life, Richard is her fate. And she is his. Richard
is to marry a rich, frigid woman in a few weeks, and has deliberately
closed his heart to love. Then a coach accident throws his wounded body
into Rose’s arms. With one kiss, Richard and Rose discover in each other the passion they thought they’d never find. But
the accident that brought them together was an act of sabotage.
Somewhere, in the rotting hulk of a once beautiful stately home, a
murderer is hiding. Richard and Rose set out to solve the mystery,
and find the layers of scandal go deeper than simply determining who is
guilty. And that doing the right thing could separate them—forever. Warning: This series is addictive. Passion and murder are a potent mix.
In the run-up to the release of Boundless next month, Kensington is running a series of special offers on The Shaws books and selected titles from the linked series, The Emperors of London! I'm thrilled they're doing this, because nothing sells a book like a reduction in price, and I am truly proud of what I've done here, so I want as many people as possible to read it, even if that means a bargain price! And I think I've run out of my day's allowance of exclamation marks. Until tomorrow, you can get Dauntless Sinless and Fearless at bargain prices, so it's your time to catch up, before Boundless comes out next month.
Welcome from Ireland and happy November!
And welcome to all my new readers from the latest Royal Wedding hop! That was huge fun, and it was lovely to see happy news on the TV for a change! Congratulations to the happy couple.
No, I’ve not moved house, I’m here in Eire visiting friends. And getting a tour around one of the biggest online games companies in the world! I’m in Cork, which is a beautfiful city in the middle of stunning countryside.
Tonight, Hallowe’en, we saw the Shandon Dragon Parade, with floats, music and totally amateur participants. Many of the floats were made of Sellotape, to make them glow in the dark. I had such fun! Aqnd I would love to write more paranormal romance, but the pundits are saying there is no call for it, Nobody wants it. For now I have to bow to convention and get on with the other genres, but I can’t believe the market is so low. But we haven’t had a blockbuster since Twilight, and that was Young Adult, which I don’t write.
However, my historicals are idoing well, and I have a new series starting next year. Boundless will be out in December, the last book in the Shaws series. I really loved the opportunity to tell the stories of the members of the notorious Shaw family who didn’t get a story in the Emperors of London. But with Livia’s story, they all have their tales. Thank you so much for buying me and making it possible for me to tell more stories.
My next series is underway, the first book in the Society for Single Ladies will be out next year. It’s a new series about new people set in the luscious surroundings of mid-Georgian times. Detectives abound in a crime-ridden landscape that is very different to our own. I’ve always been fascinated by the history of crime and criminal justice, and now I get to indulge my love.
I’m working on a new proposal, too, for a different kind of story, but it’s a bit of a risk. Historical detective with less romance, more ‘orrible murders? What do you think?
The historical romance market is “soft,” but I’m not going to abandon it. But neither do I really want to go completely indie. Honestly, my promotion skills aren’t good. I can’t do the “buy my book” thing, but I’ve found my niche, and I’m happy here. More or less, although recently, like a lot of authors, I’m getting a lot of self doubt. I will always write, but whether I’ll do it for publication, or carry on reaching for the big prizes isn’t so certain. I get a feeling that if I do my own thing and tell the stories I really feel I want to, that would be more fulfilling for me and for my readers.
I flail at life, at everything except writing, really. And my doll’s houses. But I have a wonderful family who keep me on the straight and narrow, and thank heaven for them!
I’ve also got a contemporary romance trilogy going at Tule, but as yet, no release dates. It was so nice to write about the world we live in, and it’s a good contrast with the historicals. I’ll let you know the dates as soon as I know.
Richard and Rose are back (again!). They've been on Amazon for a while, and now they are going wide. So whatever platform and media you want to read them in, they're here!
Wherever possible, the covers feature the actual books that I fictionalised for the series, and there's a lovely portrait of Richard and Rose on each cover, which I commissioned especially. My favourite covers yet! What do you think?
The Story of Richard and Rose
I'm going to rattle through this, and maybe I'll put it on my website, too.
Richard and Rose started when my babies were driving me crazy with
Thomas the Tank Engine and Fireman Sam. Much as I love them, I needed
something of my own to keep sane.
Originally I planned to write a story for my own amusement, about a
murder-solving couple in the mid-eighteenth century, my favourite era.
They would be at the lower ranks of the aristocracy, and pass unnoticed
in society, the better to observe.
I went to Calke Abbey, where the first book, Yorkshire is based. The
place is astonishing, preserved as the higgledy-piggledy mess it was
when the National Trust took over. I knew I would write about that one
So I had my heroine, the unassuming Rose, set foot in the ruin when her
brother inherited the title of Earl of Hareton. All was going well.
Then I "saw" the scene. I saw a popinjay, a dandified man of fashion who
was for all his flamboyance, definitely male. Even then I didn't
recognise him as my hero. He had a quieter twin brother, so I tried to
make Gervase the hero. But it didn't work.
I went back, and put Richard in his place and the whole book came to
life. I wrote it in a fever, and I knew there would be more than one
book. What happened after marriage? Would they be happy?
And I wrote it in the first person, a technique I have never used before
or since, but the story demanded it. I did try to change it to third
person when a publisher took an interest, but it didn't work. The book
died on me. So it stayed in first person and I found another publisher, a
I sold the book to a company called RFI West, but someone wrote to me
and told me not to sign, because there were rumblings. I didn't, and
when RFI West broke apart, I sent it to a spinoff company, NBI. they
published the first three books, Yorkshire, Devonshire and Venice.
Then the owner disappeared, together with the money. So when that ended,
I sent the books to Mundania. Meantime I had joined Samhain with
another series, and after Mundania spent nearly two years mulling over
the books, I got the rights back and sent them to my editor at Samhain,
Angela James, who'd been gagging to get her hands on them.
So far so good. But Angela left, and the replacement editor and I didn't
see eye to eye on anything. She was a great editor, but she didn't want
my books, she wanted something else. We parted ways, and I got an
editor who I could work with, but it was too late. The previous editor
had torn apart my idea for the last book, Lisbon. After she left, I
rescued it, but Richard and Rose nearly never had an ending, and I had
already dumped one book half written, I was so dispirited with the way
things were going. I'll never make a writer, I thought.
And then last year Samhain closed. I was gutted. But I persevered, got
the rights back and now they're out as self-published books.
What astonishes me is that people still love them, still want them. After all this time. So thank you, and here they are again!
So how about a bit from the first chapter of the first book I ever had published?
sat in my best riding habit in the dirt at the side of the road, a man I
hardly knew sprawled next to me, his head in my lap. I looked ruefully
at my skirts as blood seeped into the material. I’d bought it especially
for this visit, and now it was ruined. Mr. Kerre and the coachman
kicked and pulled at the overturned roof of the stricken vehicle. The
canvas covering was peeling away with age; its thin top splintered when
the men aimed hard kicks at it. Mr. Kerre had pulled out his brother,
the man whose head now lay in my lap. They had more difficulty reaching
the other occupants.
horses were safe enough, their reins thrown over the branches of a
nearby tree. The unhurried shifting of their hooves matched the
movements of the coach horses standing close by, cropping grass.
saturated my riding gloves as I held the gaping wound together in what
seemed increasingly like a vain attempt to stop the bleeding. I daren’t
move in case the outpouring worsened. Cramps spread across my back, and
the hard pebbles of the road dug into my legs.
breath misted in the crisp autumn air, and I feared my patient would
begin to shiver in that uncontrollable way I’d seen before in others. He
might have lost so much blood he wouldn’t recover before we got him
back to the Abbey. The thought, rather than the cold air, made me
shiver. I hardly knew this man but I might not get to know him any
opened his eyes and looked directly at me, staring uncomprehendingly
until he recovered his senses. I saw intelligence return to his face,
and then something else. Something warmer.
stared at him transfixed. No, oh no. This couldn’t happen, to me, not
sensible, shy overlooked Rose Golightly. But I had no way to stop it,
and I couldn’t look away now. This wasn’t right, but my treacherous
heart turned over when he smiled. “It’s you,” he murmured weakly.
How could a visit anticipated so eagerly, regretted so bitterly, end in this?
so much of the year gone already! I had a birthday last month, so that
was nice, kinda. I've never liked birthdays, though, I'd much prefer if
people just sent a card and left it at that.
I've been working like crazy, on the new contemporary series for Tule, and for the brand new historical series from Kensington.
I love writing, but there are so many other things you have to do. I say
I suck at marketing myself, but so many other writers say that, too. I
have to just get on and do it. Then I find myself talking to the nicest
people, and I know I'm mad not to talk more often. Like most writers I
know, I'm not the most outgoing person in the world. Except in the
books, that is!
I got a new cover for the last book in the Shaws series, Boundless (like
Juliet - "My bounty is as boundless as the sea, my love as deep, the
more I give to thee the more I have, for both are infinite" - le sigh).
While it's not my favourite cover of all, it's still pretty, and that
blue is to die for!
So, working. My new editor at Tule is amazing. She is pushing me to make
the books the best they can be, and I love her for it. I don't have a
release date yet, but I'll let you know when I do.
And I've been quietly making Richard and Rose go wide. So in a few weeks
the whole series will be available from every outlet. That series has
been through so much, so I've done a little history of the series in another post. Together with
the covers, so you can see how they've changed over the years.