Showing posts with label Richard and Rose. Show all posts
Showing posts with label Richard and Rose. Show all posts

Monday, April 08, 2024

April Showers - and more!

 

Here's Rose!

What's new?

Planning a new book, but taking my time over it.

I've had more texts, and I've been sorted out, if we can call it that. But I'm here, and in a way, I'm back.

I'm grateful that a few publishers have expressed interest in my latest project, but that's a long way from having the book done. But this time, I'm going back to my roots. It's Georgian. My little foray into the Regency was fun, but that's not where my heart lies. Give me the lusty, honest, fun-loving Georgians!

So, here we go again, I suppose. The plot is a bit more entangled, because I want to write a series, and I'm so sorry I'm being a bit obscure about it, but don't know myself yet!

It's exciting, the beginning of a project, with untold possibilities ahead. My plans are more like a guideline, leaving lots to enjoy and discover.

So what makes you feel that way, as an idea slowly rumbles into view and then fills your vision for a while?


Excerpt from Yorkshire

image

This is going right to the beginning. The story of Richard and Rose, the couple who took my imagination and ran with it. From the first book in the series, Yorkshire.


Rose Golightly is a country girl who thinks her life will continue on its comfortable course, but a series of events changes that for good. On a visit to the ancestral estate of Hareton Abbey, Richard Kerre, Lord Strang, enters her life. A leader of society, a man known for extravagance in dress and life, Richard is her fate. And she is his.

Richard is to marry a rich, frigid woman in a few weeks, and has deliberately closed his heart to love. Then a coach accident throws his wounded body into Rose’s arms.

With one kiss, Richard and Rose discover in each other the passion they thought they’d never find.

But the accident that brought them together was an act of sabotage. Somewhere, in the rotting hulk of a once beautiful stately home, a murderer is hiding.

Richard and Rose set out to solve the mystery, and find the layers of scandal go deeper than simply determining who is guilty. And that doing the right thing could separate them—forever.

Warning: This series is addictive. Passion and murder are a potent mix.


Chapter One

We walked into the Great Hall. Or something that had once been the Great Hall. It took some time for my eyes to adjust to the relative darkness inside. The great space felt gloomy and cold, clammy with disuse. Martha had described Hareton Abbey’s great marble entrance hall to us, but this couldn’t be the same place.

The staircase with its crimson carpet soared in front of us. Myriad life sized marble statues ranged around the upper storey. Dirt obscured the finer features of the marble, and turned the pure white on the gods and goddesses of a different age to a murky grey. Cobwebs stretched from fingertip to hipbone in a weird parody of the fine lace sported by the Southwood party. The once smart black and white tiles, laid in a chequered pattern, were blurred with dirt. Shuddering in revulsion, I took Lizzie’s arm. We held each other tightly and looked around in silence; all affected by the tomb-like silence of the once Great Hall.

Suddenly, shockingly, the stillness shattered. “My God, I wonder which bedroom Sleeping Beauty rests in.” A male voice, quiet, low but penetrating. I knew without looking that it was Lord Strang.

The man who had let us in waited for us by a small door at one side of the hall. He must be a servant, but his role wasn’t easily identifiable either by his appearance or demeanour. He wore no livery nor the quiet, smart clothes of an upper domestic, but a rough country coat, such as a gamekeeper might wear.

Lizzie glanced at me, eyebrows raised in a tacit comment. When I looked at her, I caught Lord Strang’s glance. He smiled. I looked away.

We moved towards the servant, who led the way through the door and along a passage, where we entered another world. The magnificence and filth changed to Puritan cleanliness. No paintings hung on the wall here, no ornaments adorned the well-polished country furniture, just plain, gleaming floors and whitewashed walls. Our feet clattered on the uncarpeted wooden floor.

The manservant led us to a door at the end that opened onto a modest parlour. Here the Earl and Countess of Hareton and the Honourable Edward Golightly waited for us. The men stood while the lady sat in a hard chair before of them. They were all completely rigid. No smiles marred their stern features. They wore perfectly plain garments, the men simulacra of the manservant, the lady in dark blue and white with no lace, only plain linen cuffs to her sleeves and no jewellery.

Nothing approximating comfortable domesticity spoiled the austerity of the little room. No ornaments decorated the old fashioned carved oak mantelpiece, no cushions added comfort to the hard chairs. I found the obsessively spotless parlour as disturbing as the abandoned magnificence we had just left.

Our hosts bowed rigidly, and the lady stood and curtseyed with an awkwardness that indicated she didn’t do it very often The answering bows from the Southwood party were awe inspiring, especially Lord Strang’s, which combined precision and elegance in one graceful gesture. It seemed more elaborate than the bow he had given us in the courtyard, mocking the Haretons with its perfection.

“Welcome,” said Lord Hareton. I felt anything but welcome here. The door opened to admit the manservant returning with a large wooden tray. It held a large teapot and several tea dishes.

There weren’t enough chairs for everyone in this small room, so the ladies sat and the men remained on their feet. Lady Hareton saw to the tea, practically and without comment. The brown teapot, like the one we had in Devonshire for the servants to use, contained a weak infusion, but we found it welcome all the same. The heated cup warmed me in this unfriendly place. Despite the chill outside, the fireplace was cold, the fire unlit.

“I am pleased to see all of you. I thank you for coming.” Lord Hareton’s tones were exaggeratedly formal, perhaps a legacy of his childhood. The formality of the Hareton household had been famous in the last generation; the children forbidden to sit in their father’s presence.

“I am surprised not to see Lord Southwood and his daughter.”

Lord Strang gave him an easy smile. “He sends his apologies. A minor disposition has delayed his arrival with my sister, but he sent me ahead as a token of his good faith.”

Lord Hareton nodded, his mouth a tight line of disapproval. “It is to be hoped that he doesn’t keep us waiting long. I have made arrangements for our family lawyer, Mr. Fogg, to visit us tomorrow. Also, my minister will arrive. I intend to collect him personally in the morning. He uses public transport. He deems private carriages an extravagance, and I tend to agree with him. I do not wish for a long betrothal period, and I would like the contract fulfilled as soon as possible.”

His glance at Lord Strang asked for complaisance, but he didn’t find it.

“Can the lawyer’s visit be deferred?” the younger man asked calmly, but I could hear the passion beneath. Lord Strang was in a temper.

“No, sir, it cannot. There is—”

Lord Strang lifted his chin. “I don’t know if my sister would be content here.”

“Contentment is in God’s hands, not ours.”

Lord Strang ignored the comment and continued to speak. Although his demeanour was rigidly polite, his low tones quivered with the anger beneath. “The betrothal was never a done thing; your father and my grandfather arranged it, but left it to my father and you to fulfil it. I am here as my father’s representative, and if I dislike what I see, I fear I cannot recommend the betrothal to him.”

Hareton smiled. It appeared malicious, but this interpretation surely must be wrong. I preferred the stern look; Lord Hareton had lost most of his teeth, and what remained weren’t in good condition. “Perhaps you need some time to reflect.” He used a soothing tone that made me want to slap him. “I would welcome an opportunity to bring your sister to God’s family. I hope, once you have met Mr. Pritheroe, our minister, you will come to see the error of your ways and join our family.”

Lord Strang stared, his eyes wide in anger and astonishment, momentarily transfixed. Abruptly Lord Hareton turned away and smiled at James. Now our turn arrived.

“I am pleased to welcome you back to my house, Sir James. I’m sorry not to see all of your family, as I requested, but it is not entirely necessary.”

“My younger brother, Ian, had a fall and injured his foot. He sends his apologies.” Lord Hareton nodded in response to James’s explanation. “My younger sister, Ruth, is barely out of the schoolroom and my children are too young to embark on such a long journey.”

Not the whole truth, but it would do. Ian’s injury was far from serious, Ruth was too headstrong and excitable and the thought of those lively children in a coach on a long journey made me shudder. Not to mention the odd rumours we’d heard about the state of the Abbey. We hadn’t imagined matters would be as bad as this, but it had given Martha and James pause.

Lord Hareton continued to speak. “I have asked you here as a witness to the betrothal, and to give you the opportunity to do something for God’s people.” James remained silent. Hareton ignored the rest of us. As women we were probably beneath his notice. I sipped my tea in an effort to appear unconcerned, waiting for the next bombshell. I had no doubt it would come.

“I have asked Mr. Fogg here for another reason. I wish to break the entail.” Seemingly oblivious to the sensation he caused, he continued calmly, “I do not wish to be known as the earl, and I do not wish for the wealth and privilege that go with it. I wish to live as a private citizen. If the entail on the estate is broken, I am free to do that. I cannot prevent or deny the earldom, but I do not have to use it or encourage people to use the title.”

James couldn’t speak. He stared at Lord Hareton rather in the way a rabbit watches a snake, fascinated, waiting for the final, killing stroke.

“Mr. Fogg informs me that in order to break this document, it must be signed by the heir, and the next heir, in line. That is my brother, and you, Sir James.” Our host smiled, as if this explained everything.

“And you want my sister to marry into this?” Mr. Kerre, who had up to now remained silent could no longer keep his indignation to himself. “Not only to live in a mausoleum, but to lose her standing in society, the privileges she has a right to expect?”

“Only by birth,” Lord Hareton responded.

“That is true.” Lord Strang’s quiet, low voice cut through the air, like the voice of reason. “And among those men born to high state, there are a few who deserve it. I don’t want to leave Maria here because it would make her unhappy. She wasn’t born to this. From what I have seen here, I don’t think I can recommend that my father brings her here.”

He paused, glancing around the comfortless room. “I, however, am strangely intrigued by your minister, and I’d like to stay a little longer, if I may.” His brother shot him a sharp glance, but remained silent.

“I am delighted to hear that, sir,” Hareton replied. “Perhaps I can persuade you to change your mind.”

Hareton’s brother, the prospective bridegroom, showed no emotion at all. Intrigued, I wondered what other surprises this strange place held.

Hareton excused himself, saying it was time he went to pray. He looked askance at Steven in his dark clerical garb, but Steven said nothing, avoiding his gaze. I didn’t blame him.

After they left the room, we breathed a collective sigh of relief, and looked around at each other. Lizzie and I exchanged a smile, then a laugh as we felt the oppressive atmosphere slide away. The exotic Kerres seemed normal, next to the extraordinary figures of our cousins.

“When did you last come here, Martha?” I knew, of course, but needed the confirmation. Something to remind me of my normal life, my normal home.

“Ten years ago. The last earl sent for us when we were married. It was different then. Our rooms were magnificent, even though we didn’t have the best ones and a footman stood at every door.”

“A stickler for ceremony by all accounts,” said Lord Strang. “I have to confess there is no indisposition. My father sent us ahead to form an opinion. He has heard some odd rumours about Lord Hareton, and has serious doubts about the match. Society thinks Hareton is a recluse—they don’t know the half of it.”

“Indeed,” agreed Martha. “It’s all very shocking.”

James looked up from silent contemplation. “I don’t know what to do about this entail. If I refuse to sign it, will it still go through? It’s not that I expect to inherit. Indeed, I don’t wish for it, especially now I’ve seen the property, but I don’t think it’s right. I’ve never heard of such a thing before.” I hated to see my beloved brother so worried. I would gladly have consigned the Haretons and the Abbey to perdition, if it would help him.

“I’m sure I’d feel the same.” Mr. Kerre studied James, his finely shaped lips pursed in thought. “In truth, sir, from what I’ve seen, I think the Hareton estate is bankrupt. He may talk of God and his minister all he likes, but I think his father bankrupted the estate with his extravagance.”

“I’m not so sure,” said Lord Strang. “Why would they leave all the treasures in the Great Hall to rot if that’s the case? I’m sure they could fetch a good price. What’s the rest of the house like?”

James frowned. “You have a point, but on the way here I studied the land. Some of the fields are uncultivated, the animal population is scarce and what buildings I saw are sadly in need of repair.”

“Yes,” agreed Mr. Kerre, “I saw that too. I think you’re right, sir. The Hareton estate is bankrupt.”

My brother heaved a sigh. “So you think I should sign the entail away?”

“I would never presume to tell you what to do, sir,” said Strang, “but in your place, I would seriously consider it. The situation intrigues me. I want to see more of it, but be assured, sir, there will be no wedding. Please feel free to shake the dust of Hareton Abbey from your heels as soon as you wish.”

A maid chose that moment to come in and offer to show us to our rooms. It was early, but we accepted. When I passed James, he murmured to me, “Don’t unpack.”

I nodded.


I still love Rose!

You can get yourself a copy of Yorkshire here! https://www.amazon.com/Yorkshire-Richard-Rose-Book-1-ebook/dp/B07B6BSV4F/

Saturday, November 24, 2018

Yorkshire reduced!

In honour of Black Friday, the price of the first Richard and Rose book, Yorkshire, has been reduced to 99 cents!
The Amazon copy is here.







A passion they never expected…a mystery that could cost them everything.

Rose Golightly is a country girl who thinks her life will continue on its comfortable course, but a series of events changes that for good. On a visit to the ancestral estate of Hareton Abbey, Richard Kerre, Lord Strang, enters her life. A leader of society, a man known for extravagance in dress and life, Richard is her fate. And she is his.
Richard is to marry a rich, frigid woman in a few weeks, and has deliberately closed his heart to love. Then a coach accident throws his wounded body into Rose’s arms.
With one kiss, Richard and Rose discover in each other the passion they thought they’d never find.
But the accident that brought them together was an act of sabotage. Somewhere, in the rotting hulk of a once beautiful stately home, a murderer is hiding.
Richard and Rose set out to solve the mystery, and find the layers of scandal go deeper than simply determining who is guilty. And that doing the right thing could separate them—forever.
Warning: This series is addictive. Passion and murder are a potent mix.


Tuesday, September 18, 2018

Richard and Rose ride again!


Richard and Rose are back (again!). They've been on Amazon for a while, and now they are going wide. So whatever platform and media you want to read them in, they're here!
Wherever possible, the covers feature the actual books that I fictionalised for the series, and there's a lovely portrait of Richard and Rose on each cover, which I commissioned especially. My favourite covers yet! What do you think?

The Story of Richard and Rose

I'm going to rattle through this, and maybe I'll put it on my website, too.
Richard and Rose started when my babies were driving me crazy with Thomas the Tank Engine and Fireman Sam. Much as I love them, I needed something of my own to keep sane.
Originally I planned to write a story for my own amusement, about a murder-solving couple in the mid-eighteenth century, my favourite era. They would be at the lower ranks of the aristocracy, and pass unnoticed in society, the better to observe.
I went to Calke Abbey, where the first book, Yorkshire is based. The place is astonishing, preserved as the higgledy-piggledy mess it was when the National Trust took over. I knew I would write about that one day.

So I had my heroine, the unassuming Rose, set foot in the ruin when her brother inherited the title of Earl of Hareton. All was going well.
Then I "saw" the scene. I saw a popinjay, a dandified man of fashion who was for all his flamboyance, definitely male. Even then I didn't recognise him as my hero. He had a quieter twin brother, so I tried to make Gervase the hero. But it didn't work.
I went back, and put Richard in his place and the whole book came to life. I wrote it in a fever, and I knew there would be more than one book. What happened after marriage? Would they be happy?
And I wrote it in the first person, a technique I have never used before or since, but the story demanded it. I did try to change it to third person when a publisher took an interest, but it didn't work. The book died on me. So it stayed in first person and I found another publisher, a tiny one.

I sold the book to a company called RFI West, but someone wrote to me and told me not to sign, because there were rumblings. I didn't, and when RFI West broke apart, I sent it to a spinoff company, NBI. they published the first three books, Yorkshire, Devonshire and Venice.
Then the owner disappeared, together with the money. So when that ended, I sent the books to Mundania. Meantime I had joined Samhain with another series, and after Mundania spent nearly two years mulling over the books, I got the rights back and sent them to my editor at Samhain, Angela James, who'd been gagging to get her hands on them.
So far so good. But Angela left, and the replacement editor and I didn't see eye to eye on anything. She was a great editor, but she didn't want my books, she wanted something else. We parted ways, and I got an editor who I could work with, but it was too late. The previous editor had torn apart my idea for the last book, Lisbon. After she left, I rescued it, but Richard and Rose nearly never had an ending, and I had already dumped one book half written, I was so dispirited with the way things were going. I'll never make a writer, I thought.
And then last year Samhain closed. I was gutted. But I persevered, got the rights back and now they're out as self-published books.
What astonishes me is that people still love them, still want them. After all this time. So thank you, and here they are again!
Excerpt
So how about a bit from the first chapter of the first book I ever had published?
I sat in my best riding habit in the dirt at the side of the road, a man I hardly knew sprawled next to me, his head in my lap. I looked ruefully at my skirts as blood seeped into the material. I’d bought it especially for this visit, and now it was ruined. Mr. Kerre and the coachman kicked and pulled at the overturned roof of the stricken vehicle. The canvas covering was peeling away with age; its thin top splintered when the men aimed hard kicks at it. Mr. Kerre had pulled out his brother, the man whose head now lay in my lap. They had more difficulty reaching the other occupants.
Our horses were safe enough, their reins thrown over the branches of a nearby tree. The unhurried shifting of their hooves matched the movements of the coach horses standing close by, cropping grass.
Blood saturated my riding gloves as I held the gaping wound together in what seemed increasingly like a vain attempt to stop the bleeding. I daren’t move in case the outpouring worsened. Cramps spread across my back, and the hard pebbles of the road dug into my legs.
My breath misted in the crisp autumn air, and I feared my patient would begin to shiver in that uncontrollable way I’d seen before in others. He might have lost so much blood he wouldn’t recover before we got him back to the Abbey. The thought, rather than the cold air, made me shiver. I hardly knew this man but I might not get to know him any better.
He opened his eyes and looked directly at me, staring uncomprehendingly until he recovered his senses. I saw intelligence return to his face, and then something else. Something warmer.
I stared at him transfixed. No, oh no. This couldn’t happen, to me, not sensible, shy overlooked Rose Golightly. But I had no way to stop it, and I couldn’t look away now. This wasn’t right, but my treacherous heart turned over when he smiled. “It’s you,” he murmured weakly.
How could a visit anticipated so eagerly, regretted so bitterly, end in this?
You can buy Yorkshire here:
   

Sunday, April 15, 2018

A Bit of a Ramble for April

A bit of a ramble this month.


I am so excited to see Richard and Rose back on the shelves, virtual and physical! I know they've been around forever, and in several different incarnations, but I am so proud of these books, the first success I ever had as an author.
I started writing them when my children were little, as a respite from the nappy changing, wheels on the bus singing and Thomas the Tank Engine reading. I loved them, but I did need some time to myself. So I made space. When they were napping, at nursery school, in the very brief snatches of time I had, I wrote. I'd always written, always made up stories, but for myself. As far as I knew, Richard and Rose would be the same. Until I got the opportunity to see them published, and boy, did that start something!
I told you it waa a bit of a ramble, but sometimes rambling is the best thing ever. Setting out to wander, without knowing where you're going to end up, when the journey is more fun than getting there. I try never to forget that part.
This month I've been doing a lot of planning. Books and real life. I'm plotting a new series that I'm sending to Kensington. The Shaws finish at the end of the year. I'll have no unmarried Shaws left! I do have characters in the Emperors that have yet to find their stories, but I've been fired up with devising an entirely new series, set in the same era, but with a new set of characters. What do you think? Should I do it?
Of course that depends a lot on my publisher. I want to write, and I resent any time taken away from writing in order to promote and so on. But I have to do it, and the contact I make is at a comfortable level for me. I guess I don't have the entrepreneurial spirit. I should beg you all for reviews, mentions, spread the word, all that, but really, all I can bring myself to do is to say enjoy the books, and if you genuinely want to spread the word about them, I'd be very grateful.
I'm not offering bribes, making promises or buying reviews outright. Yes. times are tricky. but not impossible, and while I can write and publish the stories I love, I'll continue to do so.
So  just - thanks. For being here, for reading and for making the author community such fun.

Other plans? At the end of this month I'll be in the USA! It's a winding journey, one I should chronicle more thoroughly, but I'm too busy having fun to write it all down! I'm going to be in New York, then in Washington, DC, then Reno for RT Booklovers' Convention, and Los Angeles. It all takes a lot of planning and I'm woefully behind in doing it. I have the flights booked, and a few of the hotels, but not all of them.
If you're in those areas, let me know. Perhaps we can meet up!
I'm very excited to go to these places. I've been to all of them before, and I always find them vibrant and enthralling. So here's to seeing you in  May!
By the way, for those of you who review books, Dauntless is now up at Netgalley. It's out at the end of June, and one step closer to saying farewell to the family that has engrossed me for the last four years.

Monday, March 26, 2018

Richard and Rose

This month began the re-release of the Richard and Rose series.
They’ve had a bumpy ride, both in the real world and in theirs, but they’re back (again!).
They started when my children were little. To counteract the relentless progress of Thomas the Tank Engine, I started writing. I’ve always written, and it’s proved a good friend. I love my children, but you can only read the story of James stuck in the ditch so often!
When I first conceived the story, Richard was an unprepossessing man, a minor nobleman who slid in and out of stately homes almost unnoticed, solving crimes. But when I started to write him, a high-born dandy strode from the pages, one that could never be unnoticed!
The whole series took a right turn, and they never stopped. I wrote eighth altogether, and they went through a series of publishers, so they’ve been edited more than any other series I’ve ever written.
First with NBI, then with Mundania, then Samhain, they gained fans and rankings, and I was thrilled to bits. Then last year, Samhain announced it was closing, and I knew it was time for Richard and Rose to go it alone.
They’re written in the first person, the only series I have ever done in that style. Richard needed a filter, so Rose, the woman who loves him, tells the stories. They developed from less of a crime-solving duo to a couple coping with the consequences of Richard’s past. Because I wondered what happens to a rake when he changes his mind. Surely there could be consequences?
And there are, and it takes eight books to work it out.
There should have been nine, but I found one book, which had the slave trade as its theme, impossible to write. It was just too painful and the research regularly had me in tears. Maybe one day I’ll finish it!
All the houses in the book are based on real ones, and it’s been wonderful to feature photos of them on the cover. I started with Calke Abbey, a phantasmagorical place, restored by the National Trust to be exactly as they found it, half-neglected, occupied by a family more concerned with nature than the interior of the house. Once scene, where I describe the nursery, is taken directly from my notes that I made the first time I visited the Abbey.
Here it is:
“I have rarely, if ever, seen such a shocking sight. Toys lay strewn about randomly, as though the children had only just left the room, but they were mildewed and black with damp. A baby house lay open in the corner, its delicate contents poured out on the floor in front of it, as if the house had vomited them.
A doll I would have loved to own when I was a child sat on a table, its beautiful silk gown torn and rotted. I picked it up. It had a vacant look because it hadn’t been loved for such a very long time. It wore a fontanges, one of those high headresses fashionable fifty or so years before, and as I placed the doll back down again the head-dress slid off. It took the wig with it, leaving the doll obscenely bald.
I shuddered. “I don’t want to stay here too long, Mrs. Peters. This nursery isn’t pleasant.” Mrs. Peters didn’t seem to feel it, but she nodded. We wrote down what we needed to, and hastily left.
The night nursery was next to it, and on the other side the little room once occupied by the night nurse, or the nursemaid. To our surprise, we found this much neater than the other rooms. Someone had neatly folded the bedding away, the drawers and cupboard were bare—all much more normal in appearance.
“Perhaps this room was discontinued for use before the rest of the house was abandoned.”
“Very likely, ma’am.” Mrs. Peters didn’t venture any theory of her own.”

Later in the book, a very important scene happens in the nursery. I made up a story for the governess in “Yorkshire,” but it’s one of the tales I never got to tell.
Maybe it’s for the best. It wasn’t a happy ending, and I do like those.

You can get or preorder the books here. 


And you can read more about the books here: http://lynneconnolly.com/richard-and-rose/

Saturday, February 11, 2017

Samhain Closing

So Samhain is closing. That makes me sad. The contrast between Samhain and Ellora’s Cave, who used to be my two main publishers, is startling. Ellora’s Cave’s disdain for the people who made them money, ie the authors, became startlingly apparent at the end. The constant rejection of legitimate requests for returns of rights, the refusal to keep authors in the loop fostered despair and exasperation, as it was obvious they were playing games. The owners blamed everybody except themselves for the eventual failure.
On the other hand, Samhain trusted its authors and never disparaged them. They have paid me every month, and that is my base requirement for a publisher. That they live up to their side of the contract, while I live up to mine. They were always courteous and considerate. I sent them work I was really proud of.
I was with Samhain since the beginning. They published Richard and Rose, my first big success, and went on to publish others. I’m genuinely sad to see them go. Even when they were struggling I had no intention of pulling the bulk of my books. I was considering pulling a short series, but that was all.
With a simple announcement, a lot of my books will be pulled off the market. I want to assure you that they will all be reissued. They’ll have new covers, but I don’t plan to do any serious alterations to them, so they’ll be the same books. I’ve listed them at the end of this post. I’ll probably turn them around myself. I don’t plan anything but a simple announcement, because I want them to be available as soon as I can make it so. I’ll probably release them once a week until they’re all back out there, unless I can manage to get them ready at the same time.
When Samhain closes its doors, I’ll make the books dark on my website, but never fear, they will be back soon!
It’s all a bit of a blow, but I’m still there, and I can’t see myself stopping any time soon.
Here are the books that are involved.
The Richard and Rose series: Yorkshire, Devonshire, Venice, Harley Street, Eyton, Hareton Hall, Maiden Lane and Lisbon.
The Triple Countess series: Last Chance My Love, A Chance to Dream, Met By Chance and A Betting Chance.
The Secrets series: Seductive Secrets, Alluring Secrets and Tantalizing Secrets.
Even Gods Fall In Love: Lightning Unbound, Arrows of Desire, Forged By Love, War Chest and Her Quicksilver Lover
And the standalone novella, It Started At Waterloo.


That’s a lot of books!

Sunday, March 16, 2014

How to succeed in Writing.

Ever since I inked the new contract, people seem to be more interested in me! And in several places, I've been asked what to do to succeed. Quick answer is that I don't know, but on further thought, maybe I do. If you like this post, I could do a series of them on each point, going into more detail. 
Now I could sprinkle this post with gifs and stuff, but they get on my nerves, so I'm not going to. But you do get a cat. I like cats. 
Writing isn't one thing. It's a succession of things. It's getting the idea, creating the story, with all its ups and downs, then writing it (my favorite part!), then revising, editing, submission, editing and more editing, then cover art, blurb, marketing...
That's if you want to do it properly.

So if you want to succeed commercially in your writing, these are the things you should consider doing:
  1.          Write fast. Publishers and readers want more these days. But it does get easier as you go along. For me it was pacing, and deep third point of view. Once I'd cracked that, my writing flowed better. So establish the vulnerable spots in your writing, and get working on them. Do classes, read books from authors who excel in that area. 
  2.           Keep writing. Just keep getting ideas, moving forward. Don't rely on one book, one manuscript to bring you all the success you're looking for. You learn as you write. 
  3.         Write often. Every day. Write every day, even if it's only a paragraph, a sentence. A thousand words a day and you have a short book in 60 days. 
  4.         Write in series (not necessarily open-ended stories, but linked stories that have characters in common. Readers like series. They don't have to be about the same characters all the way through, as my Richard and Rose series was, but they can be stories that feature a set of characters, a situation or a "world." Or all three! Like the Nightstar series, where each story features a different member of the band.
  5.         Know the market. Read the books in your chosen genre, especially the best sellers, even if they make you grit your teeth. Someone loves them. Try to find something in common between that book and your writing, and you've discovered a marketing hook. As long as it's not too close. Mind you, you can make a lot of money with a derivative work, but where's the fun in writing that? And forget the past. Read what is selling NOW, not fifty years ago, or even three. For instance, the Pride and Prejudice mashups of two years ago are dead. Gone. There is still a trickle crawling out, but they're not selling half as well as they used to. If you're already in the market, and you're a market leader, then you can write more, because you've established your groove. Go you.
  6.         Put yourself about a bit, off and online. Go to conventions in the places you want to sell (eg I sell mainly  in the US, so I go there every year to a major conference). If readers and editors can put a face to the name, they're more likely to remember you and recognise your work. But see the rest of the points. If you're a lovely person, but you can't write for toffee, then you're still not going to get published, unless you do it yourself. 
  7.         Have a blog, and a website, and chat regularly on social media. Not always about your book. You have to know how boring that is, a one-note person. 
  8.        Produce professionally. Well edited content, “clean” manuscripts, don’t miss deadlines, and remember that publishers are in it for the money, not the glory. Give them something they can sell.
  9.         Don’t rely on one person or one thing for success. The market changes. Never put your career in the hands of one person or entity, whether it’s publisher, agent or outlet. You will eventually come to regret it. Believe me, I'm talking from hard-won experience here.
  10.        Never judge yourself on the standards of others. Your success is whatever you decide it is. And your sales aren’t a reflection of other people’s, especially in the romance market, where readers will buy half a dozen books a month, not just one. And they won’t all be yours.


You’re still not guaranteed success, of course, but those things will certainly increase the chances. 
Oh, and one more thing. If this doesn’t suit you, don’t listen to any of it. Writers are lemmings, and they will follow any trend they think will help them sell. Likely that the first and second writers will, the followers will make a bit and then there’s that long tail.

Tuesday, July 23, 2013

The Hybrid Writer


Sounds like a rose, doesn't it? I love roses, always have, but it wasn't the name that drew me to the publishing model. It's that constant urge to do better, try harder.
So I became a hybrid writer recently, by getting my rights back on a few books and publishing them myself. I never thought I'd do it, but these days, saying "never" is a big mistake. The world of publishing is changing, and fast.
Writing is what I do, it's the core of everything. I love it, and it's what I do best. Marketing, blogging, and now cover design and editing have to come second, so it suits me to continue to publish through other arenas, notably the big digital first publishers.

I was one of the people first in the digital publishing arena, with Richard and Rose, one of my best selling series. First it was NBI, which vanished in a puff of smoke, the owner never to emerge again, then it was Mundania, who sat on the books for a couple of years, but only ever brought one out, and then Samhain, who helped me nurture the series into a best selling, award winning success. With Samhain I get print, digital, and a good cut of the profits. If I was writing purely for love, then I'd give all my books away. And I think Samhain offer the titles at a fair price.
I've recently sold Samhain the first book in a new series. It's an idea I've been fiddling with for some time. I solidified the original idea and kept tweaking it. Recently I showed it to my editor at Samhain, who loved it and offered me a contract. That book will become a series, one way or another, although I only have the one contract from Samhain so far. Would I self-publish? Maybe, but I'm delighted to have the opportunity to continue the writing, and not worry about editing and cover art, and I'm thrilled to have the backing of Samhain's marketing department.
But the backlist and the one new title I've self published are doing really well, too. So I get the best of both worlds.
What about New York, I hear you murmur? One of the Big Five, or even Harlequin? I do have a Harlequin book with Carina Press, but they didn't like the second book in the series (or rather, they did, but the reader panel didn't) so I'm thinking of getting that book edited and publishing it as an original title, the start of a new series. It's a new genre for me, and one that needs a fair bit of research, romantic suspense. I've already done some research into firing a gun (what fun that was!), taking lessons from an accredited instructor in Texas (thanks, Gary!) but it needs a lot more research to take the series forward. Plus, it's blood-soaked and depressing, going as it does into the world of drugs and international smuggling.
So, New York. Yes, I still submit work, but only when I think it's what the publisher wants, and only with selected books. The big five's royalty rates are horrendously bad, but they do offer advances (much reduced of late) and the opportunity to reach new arenas. So why not? The difference is that these days I'd never consider entrusting my whole output to one publisher.
Ellora's Cave is catching fire with my rock star (Pure Wildfire and Nightstar) series, and the STORM paranormal series, but would I send them a mainstream historical? Probably not. It would dilute what I do there, and in any case, EC excels at selling the erotic romance genre. 
I'll choose my publisher or prospective publisher based on what that house already does successfully. What it has a proven track record selling. And more often than not, I'll approach them directly. I can do this with my personal track record, so I know I have an advantage over a newbie, on the other hand, an agent recently told me that she's only interested in debut authors.

Now that's something to think about, isn't it? I wonder why the big publishers and agents are so interested in debuts?