Showing posts with label Pure Wildfire. Show all posts
Showing posts with label Pure Wildfire. Show all posts

Tuesday, September 01, 2015

News for September, 2015 - exciting news and four new releases!


Thunderfire


News
Well, here we are, three quarters of the way through the year!
Big news - I have all my rights back from Ellora's Cave! I won't go into the details here, but it became clear that EC and I were no longer a good fit, and finally, I have the books back. That's nineteen of them. I plan to reissue them under the LM Connolly name, and one of the series is ready to go now.
I've had Pure Wildfire re-edited, and Ginny Glass of Wordsugar Designs did some amazing new covers for me. If you have these books already, then you probably don't want to buy them all over again, but this series means a lot to me. It was the start of a whole new career for me, my foray into paranormals, which started with the Department 57 series. These books are about - well, see below. I've put a short introduction, the new covers and a brief introduction.
Swanwick
I went to the Swanwick Writer's School in August. What a great time I had there! I met a bunch of people, including the writer of the Charles Paris series, Simon Brett, and the writer of the TV Detective series, Simon Hall. I went on some courses, and had a lot of fun, talking about writing for a week. A real treat.

New Releases and Excerpt

So, releases. I have to concentrate on Pure Wildfire this month, although there are more exciting releases ahead. I just keep writing!
Pure Wildfire is a four book series about a rock band with a difference. They are all shape-shifting firebirds, except for the guitarist, Aidan. He is the phoenix, the one and only.
I wrote "Sunfire" as a one-off, but the book proved so popular, that I wrote more. Aidan, the epitome of the rock guitarist, meets Corinne, a classical guitarist. She is under the control of her father, the manager of the band. I did have certain media types in mind when I wrote this!
The series is about each member of the band finds love, sometimes in very unexpected places. The series takes place during a long world tour, and each book is named after a Pure Wildfire album. But it's not all music-centric!
The books are coming out every week in September, one every week, and after that, a box set. The books have lovely new cover art, and they've been lightly edited, so although there is still lashing of action between the sheets, the language is a tad less graphic and the emphasis is back on the story.


You can see them here - http://lmconnolly.com/genre/coming-soon
They're up for preorder at Amazon, Barnes and Noble, Apple iBooks, and all the other major outlets.

I've put the first part of Sunfire here for you, as a taster. You can read the whole of the first chapter on my website.

Aidan went over the upcoming meeting in his mind. He’d only promised to play on their manager’s pet project, a charity album, because of the news he had for John Westfall. Once Westfall knew Pure Wildfire’s second guitarist had walked out, there’d be fireworks for sure.

But then, who better to face fireworks than the phoenix? Aidan grinned and headed out the grove in the direction of the manor house.

Before John Westfall converted it into a business center, the house was a modest, but handsome, eighteenth-century gentleman’s residence. Now offices occupied half the house, together with the heavily soundproofed studios, the acoustics in them honed to perfection. People came from all over the world to use them. Nobody liked Westfall, but he was a good manager and the studios were a dream.

Buttery cream stucco covered the house, giving an impression of continuity through the ages, which Aidan knew was entirely false.

As he got closer, the coarse grass changed to fine lawn, barbered as short as velvet pile. Aidan tilted his head back and took a lungful of the clean, fresh air. Nowhere in the world had the same crisp newness as England in the spring, the fresh, clean air he loved spiced with a bite of the chill of winter just passed. Just back from a visit to the States, Aidan savored the pleasure of being on home ground again. He loved America, but whoever said there was no place like home was right. Come to think of it, an American said that. Aidan grinned. To each his own. No doubt Chris and Jake Keys, the bass section of the band, felt the same about their native Texas.

Very few places heralded a visitor’s arrival with a burst of Bach, especially played on the guitar. Drawn by the music, as always, Aidan changed direction and strolled toward the west wing, business forgotten for now.

The French windows lay open to the air, invalidating all the careful soundproofing in the studio behind it. Aidan reflected wryly that the staff always closed the windows when Pure Wildfire used the studios.

This was magical, a moment out of time. He stood outside, watching and listening.

A girl bent over a fine Spanish guitar, picking out a melody, spinning the counterpoint on the strings with agile fingers. Her long, straight dark hair fell over the polished wood and even her clothes seemed magical, the fine white embroidered lawn top and gathered skirt marking her as special, untouchable.

Unless Aidan was greatly mistaken, this was Corinne Westfall, the eldest of the three girls known in some circles as the Westfall Gold Mine. Since the age of sixteen, when the music press acclaimed her the latest wonder to hit the classical world running, Corinne Westfall dominated the classical music charts. Corinne’s and Aidan’s worlds crossed only through her father and the few times he’d seen her onstage, but now he wished he’d met her before. He’d never felt drawn to a human like this before, the music, her slender form, calling out to him to touch, to explore.

Aidan watched her fingering with a connoisseur’s eye. Her hands were large enough to form unusual bridges on the fret. He hadn’t considered her level of skill before, distracted by Corinne’s ingénue appearance. Onstage she wore skimpy clothes, which gave him uncomfortable feelings of underage sex the one time he’d seen her, curious to know what drew people to her performances. He’d turned away from the pictures on her many album sleeves. Looking at her now, mentally calculating her current age, he was pretty sure this was the effect Westfall wanted and he mentally labeled any man a slimeball who turned his daughter into an underage sex symbol just to sell a few albums.

But this girl was now a twenty-eight-year-old woman—no ingénue. But the memory of his distaste stayed in the back of Aidan’s mind, however much he tried to dispel it.

Today, Corinne Westfall was a purely lovely woman, lost in a world of her making. Hers and Bach’s.

There you go! It is so good to see the books back on the virtual shelves again!

Tuesday, July 23, 2013

The Hybrid Writer


Sounds like a rose, doesn't it? I love roses, always have, but it wasn't the name that drew me to the publishing model. It's that constant urge to do better, try harder.
So I became a hybrid writer recently, by getting my rights back on a few books and publishing them myself. I never thought I'd do it, but these days, saying "never" is a big mistake. The world of publishing is changing, and fast.
Writing is what I do, it's the core of everything. I love it, and it's what I do best. Marketing, blogging, and now cover design and editing have to come second, so it suits me to continue to publish through other arenas, notably the big digital first publishers.

I was one of the people first in the digital publishing arena, with Richard and Rose, one of my best selling series. First it was NBI, which vanished in a puff of smoke, the owner never to emerge again, then it was Mundania, who sat on the books for a couple of years, but only ever brought one out, and then Samhain, who helped me nurture the series into a best selling, award winning success. With Samhain I get print, digital, and a good cut of the profits. If I was writing purely for love, then I'd give all my books away. And I think Samhain offer the titles at a fair price.
I've recently sold Samhain the first book in a new series. It's an idea I've been fiddling with for some time. I solidified the original idea and kept tweaking it. Recently I showed it to my editor at Samhain, who loved it and offered me a contract. That book will become a series, one way or another, although I only have the one contract from Samhain so far. Would I self-publish? Maybe, but I'm delighted to have the opportunity to continue the writing, and not worry about editing and cover art, and I'm thrilled to have the backing of Samhain's marketing department.
But the backlist and the one new title I've self published are doing really well, too. So I get the best of both worlds.
What about New York, I hear you murmur? One of the Big Five, or even Harlequin? I do have a Harlequin book with Carina Press, but they didn't like the second book in the series (or rather, they did, but the reader panel didn't) so I'm thinking of getting that book edited and publishing it as an original title, the start of a new series. It's a new genre for me, and one that needs a fair bit of research, romantic suspense. I've already done some research into firing a gun (what fun that was!), taking lessons from an accredited instructor in Texas (thanks, Gary!) but it needs a lot more research to take the series forward. Plus, it's blood-soaked and depressing, going as it does into the world of drugs and international smuggling.
So, New York. Yes, I still submit work, but only when I think it's what the publisher wants, and only with selected books. The big five's royalty rates are horrendously bad, but they do offer advances (much reduced of late) and the opportunity to reach new arenas. So why not? The difference is that these days I'd never consider entrusting my whole output to one publisher.
Ellora's Cave is catching fire with my rock star (Pure Wildfire and Nightstar) series, and the STORM paranormal series, but would I send them a mainstream historical? Probably not. It would dilute what I do there, and in any case, EC excels at selling the erotic romance genre. 
I'll choose my publisher or prospective publisher based on what that house already does successfully. What it has a proven track record selling. And more often than not, I'll approach them directly. I can do this with my personal track record, so I know I have an advantage over a newbie, on the other hand, an agent recently told me that she's only interested in debut authors.

Now that's something to think about, isn't it? I wonder why the big publishers and agents are so interested in debuts?